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Poems and Stories > Aliens and UFOs

Dead Air
short story
by Gary Starta

Horace Boone rubbed his eyes and suppressed a yawn. The radio host fought to stay awake as the caller launched into a diatribe about his Tuesday night encounter with a space ship in a Detroit suburb. No amount of coffee in the world was going to peak the pompous moderator's interest in bug-like creatures who navigated the universe in delta-shaped spacecraft. Boone talked a good game, but he really wasn't interested in providing a communion for those suffering fear and shame from alien contact. He indulged his audience for two things only: market shares and a paycheck.

The bigger the market shares, the bigger the paycheck. That's what Boone told himself every time he had to deal with the blow hard who ran the station, Freddie Tedesco.

Tedesco's plan to beam Boone's broadcasts all over America via an extraterrestrial signal was hailed as marketing genius. The satellite radio channel Visitations had recently set a media record for subscriptions. It seemed listeners couldn't get enough of the format which presented stories of alien encounters in a reality format. Much like Boone, Tedesco's fascination with dollar signs and corporate power left him little pause for alien encounters.

Boone and Tedesco were soul mates in a strange way. Both littered the cosmos with arrogance and greed. Each thought little of repercussion. To date, neither had been reprimanded by anything remotely resembling cosmic justice. Boone did have to jump from one terrestrial FM music station to another due to format changes. But like a cat he always landed on his feet with a large bankroll protruding from his pockets and a gorgeous girlfriend wrapped around his portly body. With satellite radio, the chance of a format change was about as threatening as a conversion to the metric system. Life was very good for Horace. Still, he could not prevent himself from ridiculing his faithful listeners behind their backs for their belief in ET. This dissatisfaction surged in Boone's veins like a drug. And like any addiction, Horace had to answer its call every now and then. Fortunately for Tedesco, Boone's off air rantings about the sanity of his brethren never hit terrestrial airwaves. But thanks to a satellite beam traveling at the speed of light, a cosmic audience was able to suffer in silence to the sounds of Horace Boone. In fact, they were receiving his transmissions loud and clear.

*

Freddie poked his head into the Boone's studio to give him a thumbs up sign.

"Whatever you're doing, keep it up Boone. Time Magazine just called us for an interview. They want to know how we're breaking every ratings record in the nation."

Horace removed his headphones and forced a smile for his elated general manager.

"Isn't this what you've always wanted my friend," Tedesco persisted despite Boone's conservative reaction. This was one of the few times the GM had ever seen his blabby DJ at a loss for words.

Tedesco knew Boone was a lot happier back in the days when he was known as Horace Boone, the crazed buffoon, driving you home in the afternoon. Those were Boone's rock n' roll days. The DJ didn't have a hard time staring at his face in the mirror back then. He truly loved his job as well as his audience. And he was about forty pounds lighter with a thicker head of hair.

But just like the classic rock song, Dust in the Wind, would anything really matter in the end?

"So what if you don't give a rat's ass about aliens," Tedesco told him, with this format you're guaranteed ratings. Tedesco didn't have to elaborate further. Horace knew the formula all too well: ratings = your paycheck.

Freddie Tedesco had spent months analyzing market research to find the best potential audience. Numbers don't lie, people do, he always preached. The numbers told him a male audience between the age of 25 to 38 years of age was the target demographic. Market analysis said these men wanted a forum which would present the threat of alien takeover as reality. Freddie knew the FCC still had little control over satellite broadcasting content; so what were a few hundred white lies? He now had the numbers and a vehicle to distort reality. Tedesco launched a campaign claiming his station wouldn't be afraid to broadcast what your government doesn't want you to hear.

He hired the best science fiction writers to embellish the listener's first hand accounts.

You've got to make the aliens more mean. Make them more insect like, he would instruct his staff. The writers were only too happy to oblige. Here they made enough money to quit their day jobs. As science fiction writers, they often only made enough money to feed a parking meter. The listeners thought the station sincerely wanted to shed light on a government cover up. Horace Boone had a hard time faking this sincerity. Fortunately, he always kept a few carafes of brandy around to alter his perception.

It wasn't even noon yet and Boone was already craving liquid solace. He had been hit by a one-two punch. As soon as Tedesco left his studio, in popped his current sack mate, Sherry O'Connor.

"I thought I told you not to interrupt me during broadcasts, dear."

"I just stopped by for a withdrawal." Swinging her pocketbook and prancing around in bright red stilettos, Horace can't help comparing O'Connor to a call girl.

"How much do you need this time?"

"As if you don't know. Just about half a grand to buy some shoes and new dress for the media publicity party we're going to this weekend."

Boone cringed. He had almost forgotten about the affair. His mind flashed to a bunch of stuffed shirts in suits pretending to care about his show. They would all be probably trying to hit on Sherry as well.

Horace tried to mask his disgust but Sherry was making it hard. The 5'4 strawberry blond with the hour glass figure was casting her eyes on a studio poster.

It pictured a musician named Mars Samson. He had the look. He was hot. Everybody knew this - including Horace. His mind flashed to Samson inviting Sherry to a backstage meet and greet. There he would put the moves on her. She would forget all about cranky Horace. The daydream painfully concluded with the pair locking lips.

Boone muffled a curse. Sherry glanced away from the poster and asked him what was wrong. But he couldn't share this fear. If she ever gets the chance to hook up with Mars Samson, I hope he rips her tongue out, Horace fantasized.

"Can't you confide in me, baby," Sherry persisted to the point of annoyance.

Horace conceded. Attempting to dismiss his daydream, he began to tell her about his last caller.

"Some chuckle head from Cranburytown, New Jersey is telling me how he got his three alien buddies jobs as toll workers so they could spread the news of their arrival."

"How much longer can I stand to bear this crap?" Boone didn't wait for Sherry's response. "On top of this, the station manager is telling me I've got to beef up the stories. So in essence, he wants me to manipulate our reality format so the aliens are more menacing. I secretly wish that just one of these stories would be true. Hopefully they would abduct Tedesco and perform an alien autopsy on him while he's still alive."

"Sssh," Sherry interrupted. Waving her hand like a traffic cop, she cast an icy stare at Horace. "Too much information, baby. Just learn to deal. You can do that," she taunts. Sauntering up to Boone slowly, she offered the only type of encouragement she could. However, it sounded more like a threat. "You do want to keep me lavishly attired," she whispered, snuggling her mouth against his ear. But all Horace could hear in his head was the real world translation: If you do want to keep me as your trophy girl, it's going to take a lot of cash.

Sherry repainted her lips with fire engine lip stick and left without kissing him.

"You'll smear my makeup, sugar," she explained in her defense. For the remainder of the afternoon, Boone was left alone to wallow in silence and wonder what real love feels like.

*

Somewhere in deep space, energy is being converted into matter. A small leak has connected two universes. Virtual particles, hidden in a swirl of cosmic dust, have linked with a radio wave in one of the universes. Toggling back and forth, matter dissipates and reforms until a conduit is built. Slipping along what looks like the longest spider web ever built, something heads for Earth in an attempt to maintain a cosmological constant. Everything must be relative. Like matter and energy, positive and negative forces must also exist in equal parts.

The satellite transmission shows the entity that the karmic scale is deep in the black. A cloud of negativity must be dispersed. The universe demands balance. Now is the time for retribution...

*

Friday Evening 6:15 pm (real time)

Freddie Tedesco is in his kitchen uncorking a bottle of champagne. He is in the mood to celebrate his fame, despite the empty house he lives in. Oh well, Freddie always was his biggest fan. He stepped on a lot of backs to become a financial guru. But it was all worth it, he tells his conscious. Soon he'll be dispensing advice on fame and fortune to a national magazine.

The bubbly is sure going to taste good with the London broil sizzling in the oven. Freddie unbuttons his shirt and shirks his shoulders to release the week's tension from his back. But his obsession with business still nags at him despite his best attempt to manipulate his surroundings. All of his life has been about getting ahead.

He reflects upon his empty fireplace and decides to fill it with kindling. Maybe then he can get one minute's peace from the voice inside his head which has never allowed him total solitude. Because of the voice, Freddie has never felt alone - even in an empty room. The internal chatter has always provided ample company.

Unfortunately for Tedesco, the fireplace is not cooperating. Every time he lights a match, a draft comes down the chimney's flu to knock it out. Freddie finally settles on lighting a candle, but its flame is not soothing. It flickers as if a gust of wind is blowing in his living room. He goes into the kitchen to check on his meal and finds it requires another ten minutes. Pacing the floor, the ambitious general manager tries in vain to settle his nerves with a glass of the bubbly. But he's still unable to resist the nagging voice in his head.

He sinks into a leather recliner and flips through the local paper to check on his stocks. This is better, he sighs to himself. The numbers have always been a great diversion to ease his guilty conscious. But tonight, the conversation in his head refuses to lie dormant. The voice is back with a vengeance. "Why didn't you spend more time with us instead of that radio station," his ex-wife nags at him between the ticking sounds of a wall clock.

Rumpling the paper in frustration, Tedesco fumbles for the chair's lever to release its foot rest. While he eases back and sips at his drink, something is making its way down the chimney. Unfortunately for Tedesco, it isn't the bearded guy in the red suit. A creature, resembling a giant arachnoid, is using its appendages like suction cups to scale down the concrete encasement. When its descent is complete, it will quietly prop itself upon the fire wood located directly behind Tedesco's black easy chair, open its mouth, and dispense a twenty foot long tongue.

Slithering in silence the tongue climbs the back of the chair. Without warning, it coils itself around Tedesco's neck and chest like a python. The uninvited guest has finally turned the tables on the entrepreneur. It puts a lethal squeeze on Tedesco much like the way the GM has put the squeeze on his subordinates for the past twenty years. Freddie's lifeless hand eventually releases the champagne glass it had been holding. The tinkling sound of breaking glass proceeds the sound of dead silence. The voices in Freddie Tedesco's decapitated head have finally stopped talking.

The universe wasn't getting mad - it was getting even.

*

Friday Evening 7:20 pm (real time)

The hum of a blow dryer competes with the sounds of music blaring from a boom box. Sherry O'Connor is in her bathroom prepping herself for the media party. Dancing to a hip hop beat, her multi-colored hair flies straight up from the gun-shaped styling assistant aimed at her head. The hot air reminds Sherry of the old dolts who will be attending the bash. Their withered and unkempt bodies sure as hell don't prevent them from talking up a storm, she laments. Pausing to stare in the mirror, she reminds herself of their wealth. Perhaps some kind of business or sexual connection will present itself, she muses. The promise of fattening her bankroll instantly lifts her spirits.

"A little green will do me good," she laughs out loud. She unplugs the dryer and prances into the adjacent bedroom like a kid in a candy store. Fixating upon a rack of dresses, she pulls out two backless garments. Sherry carefully considers her two color choices (red and pink) as if she were refinancing her house. Rejecting both, she playfully hops into a royal blue velvet gown with a plunging neckline. "The old goats will love this," she jokes to herself.

Sherry's cheer instantly begins to ebb as the doorbell chime plays an instrumental sample of Rich Girl. "Who but Horace Boone would have the brass balls to interrupt my narcissistic indulgence," she rants. On the way to the door, she rehearses a curse for Horace. He has broken the cardinal sin of arriving too early for their date. Her anger is only tempered by the physical disgust she feels for him. He probably wants me to have sex with him before the party. The vulgar idea causes her to wrinkle up her nose and feign the act of spitting.

But Horace Boone is not standing on her door stoop. Sherry nearly faints from shock. She is staring straight into the face of rocker Mars Samson.

"Ms. O'Connor, Horace says he can't make the party tonight because of illness. He has asked me to accompany you to the affair in his place."

"What kind of musician talks like this?" Sherry's voice of reason asks herself.

"And when the hell has Horace Boone ever thought about anyone except himself?"

The nagging questions quickly dissipate like watered-down liquor. Sherry's lust had gotten the better of her.

This is just too good to be true. I'm staring into the eyes of my fantasy man.

Sherry hastily apologizes for not inviting Mars in. She again excuses herself to leave the room. She comes rushing back in with two cosmopolitans.

"I just want to thank you for rescuing me," Sherry blurts out upon her return.

Samson's eyebrows tense. "Rescue?" he repeats.

"From the grip of Horace Boone, the crazed buffoon!" Sherry laughs uncontrollably from her own joke. Her outburst almost causes her to spill the cranberry-colored elixir on her white carpet. Samson's eyes remain fixated on her bust.

Mars takes the drink from her hand and places it on nearby counter top. His movements are surreal, like in a dream.

"You won't be needing that," he states flatly.

"You sure don't sound like Mars Samson," Sherry retorts with a hint of intoxication. "But you sure as hell look like him!" Her high pitched laughter was about as charming as a fingernails on a chalkboard. But Mars stood there patiently, ignoring her shrill parrot-like squawking.

Without asking, he begins to kiss her neck.

Sherry feels like she's going to explode. She suddenly forgets all about the party. One of her hands begins to unbutton Samson's trousers while the other runs itself through his jet black hair.

After what seems the longest moment of her life, Samson's lips finally meet with hers. Sherry closes her eyes, reviling in the warmth of a tongue which now penetrates her mouth.

But for some odd reason, Sherry feels compelled to open her eyes. Is this just some kind of daydream? Will I open my eyes to find Horace Boone slobbering all over me?

Ecstasy and horror have just exchanged places. A grey skinned being is thrusting its tongue into Sherry's pretty little mouth. She tries to scream, but gags.

Big black, bug-like eyes stare into hers. These are not the eyes of Mars Samson.

The strange tongue begins to tug at hers. In a moment, it will be ripped from her head.

All the police will find is a blood-soaked carpet. Cosmic justice will have cleaned up the rest.

*

Friday Evening 6:50 pm (a half hour in the past)

Horace Boone swore underneath his breath seated before the console board in his studio. Dan the engineer had programmed the computer to play previously recorded shows for the duration of the weekend. He was free to go home. But he was trying to avoid the inevitable - his requested attendance at the company's publicity party.

Repeated calls to Sherry's home phone and cell had resulted in voice mail.

Boone felt justified to break his date with O'Connor at the last moment. His station was already at the top of its game. He had already pacified a week's worth of callers. Why should he have to pander to even more imbeciles at this stupid party? Acid began to churn in Boone's large gut as he imagined Tedesco taking refuge in his mansion like it was some sort of medieval castle. He gets to unwind all weekend, and I'm the sucker who has to play the PR game.

"You're the sucker." Boone had heard a strange, raspy voice emanate from his headset.

He removed the phones and peered nervously around the studio. "Dan is that you? I thought you left."

Boone received no response until he put his headset back on. "You're the sucker," the voice repeated.

Boone reasoned he was part of one Dan's practical jokes. He probably put a tape loop together to continually repeat the phrase over the sound system.

Boone's reassurance was short lived. A loud thud sent him leaping from chair.

Slamming the studio door behind him, Horace exited the room and began to run down a hallway.

Peering over his shoulder, the DJ noticed a large black shadow on the hallway wall. The shadow was about to intersect with his.

The intruder grabbed Boone by the ankles causing him to stumble onto the shiny, linoleum floor. Boone stared into the lacquered surface of the tile which acted like a mirror. Its reflection revealed a monster. It was standing behind his fallen body.

Its bony hands fought to gain a hold of Boone's broad backside. But the girth of Horace's rear exterior somehow managed to work in his favor. Boone chugged away like a runaway train, eluding his pursuer by sliding on his hands and knees.

An inner voice gnawed at Boone. It connected the appearance of the creature was with the station's satellite feed. "Interrupt the feed and you'll disable the creature," it said.

Still on his knees, Boone twirled 180 degrees and charged headfirst at his six-legged attacker.

The impact was solid. The creature fell on its back. Boone raced for what could be his final destination. He scurried like a bloated rat in the direction of the control room. Boone's extra large shirt blew like a cape behind him. He resembled a physically challenged super hero. But he wasn't trying to save the universe. He only wanted to save himself.

Fortunately for Boone, the intruder had a hard time regaining its balance from the fall. Horace would need every precious second the creature lost. He was huffing and puffing like a big bad wolf after running the equivalent of three car lengths.

A shrill cry stung Boone's ears as he rounded the corner. But Horace ignored the scream using his attention deficiency disorder to his advantage.

The control room should be the first door on the right, he told himself. At least that's where he remembered it to be. He had only been there once before when he and Sherry had sex in it.

Busting through the door, Boone could hear the patter of multiple footsteps behind him.

He pressed a button labeled re-sequencing which plunged the room into darkness.

He fell into a corner and began to pray for his life.

Horace Boone would not have sufficient time to make up for a lifetime of religious indifference.

The re-sequencing button had only brought the satellite off line momentarily.

As soon as the connection resumed, the large bug-shaped creature sank its tendrils into Boone's blubbery flesh. They were off. But it wasn't to see the wizard. The insect carried Boone along its conduit all the way back to its point of origin.

Time and date: unknown

The ride was over as soon as it started. Boone felt himself floating in the vast emptiness of space alongside his captor. It looked exactly like one of the aliens an abductee had described on Visitations.

But this was no alien. And Boone wasn't really in a tangible form.

Somehow his abductor had managed to defy physics, converting Boone's fat lump of mass into pure energy.

The being waited for the right opportunity to burst through a spiral like doorway which reminded Boone of a wormhole.

Once on the other side, Horace converted back to matter. He found himself strapped onto an operating table and at the mercy of the cosmos.

Boone was in a universe where ideas, fantasies and energy coalesced to to form what looked like a half dozen living, breathing entities.

These entities were all standing over him. And each had a metallic device in its grip.

In the background, Horace could hear the faint sound of his radio station's ID being played. A moment later, the room was bathed in loud static. There was nothing but dead air.

One of the beings braced itself. It looked like it was preparing to stick a long, scalpel-like instrument in Boone's belly.

Horace began to scream in vain. The DJ would live a few more minutes. In this room, he was the alien. A cavity search and autopsy would follow.

Everything was relative.

THE END

Dead Air© COPYRIGHT 2006 Gary Starta.
Reproduction prohibited without permission from the author.
02/20/06

Related Category: Alien and UFO Art




 

  

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